Showing posts with label Charlotte Mason. Show all posts
Showing posts with label Charlotte Mason. Show all posts

Thursday, April 7, 2011

Using copywork to teach grammar and spelling



I could have entitled this post "oh, so that's how you do Copywork!" - Maybe I'm just slow on the uptake and this is going to be old news to most; it was, however, a bit of a revelation to me when I discovered how copywork could be used as an effective means to teach not just spelling but also grammar, punctuation and the literary elements of writing. I also picked up some great tips on how to make it work for a struggling reader and writer.

When I started out homeschooling, many of Charlotte Mason’s ideas and methods appealed to me. I was intrigued by the idea that children could learn how to spell and write beautifully and turn out language worthy of the greats if they spent time diligently copying wonderful literary prose and verses. It made sense and so that's what I did. I assigned my kids copywork featuring wise proverbs, witty sayings, inspirational passages and beautiful passages of prose - all in the hope that that they would absorb everything they needed for elegant writing and thought.

However, I was faced with boredom and resistance and I noticed their spelling wasn’t really improving. Self-doubt flooded in and I began to look around for other language programmes to fill the gap. Maybe I need a spelling programme? So I dutifully did my research and bought All About Spelling for my struggling reader and I bought Spelling Wisdom (the Charlotte Mason approach to spelling) for my strong reader, who was a careless speller.

What I hadn't really understood is that the exercise of copywork was not really something to just hand over to your child and let her get on with - not if you wanted her to get the full benefit of it. I learnt this while doing a Brave Writer course - "Foundations In Writing". It was here where I learnt how to use Copywork and dictation to teach grammar informally, how to teach them to notice and learn spelling and how to set my kids up for success in writing and spelling.

One of the key ideas was intentionality -  intentional copywork (knowing the goal you want to achieve - is it neat handwriting, accurate copying, grasping new spelling concepts or learn how to punctuate dialogue etc) and  intentional editing (modelling and teaching your kids how to go back to the passage and edit their own mistakes). 

The idea of "pre-teaching" was new to me – so now even before they start writing, I teach the passage depending on what I want to achieve. The pre-teaching helps the kids to pick up on important spelling, punctuation, literary elements and grammar.

This is what one week typically looks like for us - first I have them read the passage aloud to me and we discuss its meaning to ensure comprehension. Then depending on my aim for the day, I might draw their attention to a literary element such as a metaphor or hyperbole or some interesting phrasing (informally introducing and familiarising the child with the literary terms and elements so essential for good writing). I might then point out punctuation like semi colons, speech marks, commas, colons and explain their usage. I usually highlight words that I anticipate they may have problems with, underlining them - explaining spelling rules and pointing out spelling families and maybe have them practice spelling the words on a whiteboard. I sometimes have them practice breaking down and segmenting long difficult words. All this prepares them for success even before they start writing and goes a long way to alleviate stress and frustration. 

I don’t do all of these things in one day, I may teach a few of these and then have them copy the passage, and then return to the passage the next day and point out more things. Depending on time, we might then practice dictation which is a great way to solidify new spelling words. For my struggling writer, I may take more time over teaching spelling and segmenting words and even leave the copywork and dictation until the following days.

On the next day, we might review the difficult words and discuss grammer - nouns, pronouns, verbs etc. It is also a great way to introduce and discuss new vocabulary in context – I might help them notice vocabulary choices and ask why the author uses one word instead of another, perhaps asing my child to come up with an alternative word.

In my Brave Writer class, I learnt that if my child is struggling with spelling I need to teach her spelling and word study rules and help her recognise it in action when writing – this is achieved much more effectively within the context of reading and writing and hence copywork is ideal. We were told to get them to “spell with your ears and check with your eyes”. I found this very helpful and have made an effort  to teach my daughter to learn to connect sounds to letters to help strengthen her phonological processing skills. This strategy of encouraging them to sound out the words as they write them is useful - as they can hear what they are writing and if they have a tendency to drop letters from their words and make careless mistakes, it helps them to catch them more quickly.

Before they copy the passage, I have usually already highlighted or underlined key words so they can take note of them when they write. With each child, it is helpful to encourage them to progress from copying letter by letter (arduous), to whole words and then getting them to keep whole phrases in their heads and eventually whole sentences. It is an exercise in teaching them to copy accurately and efficiently, increasing speed and reducing any sense of tedium. This is an important skill – increasing the attention and memory skills – forcing them to interact with the content and attend to what they write.

The next step for them, after they have copied the passage, is the process of intentional editing. Initially I modeled how they should check each word, phrase and sentence and circle mistakes caught and then as they learnt, I let them edit their own work. They have their own coloured pen and will check their work, mark out and correct any mistakes. This increases their awareness of spelling and punctuation and their sense of ownership over their work. I reward them with 25 cents if they find any mistakes and if it is mistake-free they get 50 cents. The only time they don’t get anything is if I find a mistake after they have proof-read their own writing. The financial incentive is probably not necessary but it is a fun little motivation for them at the moment.

I never used to get around to dictation but I’ve appreciated how it helps build accuracy and reinforces lessons learnt in spelling and punctuation and so I try to make it a point to do it each week.

It is very helpfully explained here on the Brave Writer website:

Dictation enables children to discover how to write from memory properly spelled words, and how to assemble them on the page using proper punctuation. Because they are transcribing someone else’s words (not their own), they have a model to compare to. They can evaluate whether or not they have successfully reproduced the original. Happily, the challenge of accuracy is the primary task in copywork and dictation. As a result, no one’s feelings get hurt when you point out mistakes, unlike when you correct your child’s spelling in his or her original work. The focus is entirely on accurate reproduction. And that’s the beauty right there! Mechanics can be taught using beautiful literature more effectively than the wooden practice sentences in a workbook or attempting to edit a child’s freewrite. Dictation works because children keep spellings and punctuation in meaningful writing contexts and thereby reinforce the intuitive level of mechanics, rather than mere memorization of rules.

I have taken onboard many ideas learnt from Brave Writer such as mixing things up by doing a french dictation whereby you type out the passage leaving blank spaces for key words and phrases. Another thing you might try is reverse dictation where you type out the passage with mistakes in punctuation, lower case letters where there should be capitals and make spelling errrors and have them edit the passage and highlight the mistakes. All great ways to reinforce lessons learnt in context.

These few ideas have really transformed my approach to copywork and I can see that it is working on many levels for both my kids. I still have a lot to learn but I'm certainly pleased with the new tools I've got to work with to help teach my kids.

Some great resources:
Brave Writer - Arrows and Boomerang are a monthly resource which features passages from one classic novel which can be used for copywork and dictation - it supplies you with notes on important punctuation or spelling to note, or literary elements to consider and gives you ideas about what to discuss with your child in terms of language, writing style, vocabulary and so on. You download a sample from their site. I have not yet subscribed to it but downloaded back issues based on books we are currently reading. The cost effective way to get these issues is to subscribe for a year. It is pricey (in my opinion) but I do keep coming back to them. I really should take out a year's subscription - but I do like being able to choose the issues based on books we are reading already.

Wildflowers and Marbles - Jen's beautiful blog has a lot of wonderful information on the Charlotte Mason approach to Language Arts and she put together in printable document - a collection of articles from a series of posts she wrote on her blog. It is called Considered Language Arts which is an awesome resource that covers copywork, dictation, narration, grammar and composition. Reading this will really equip you to implement a Charlotte Mason approach to Language Arts. It is so clear and thoughtful. It really is an excellent resource. Many thanks to Jen!

These two books are my two reference books when I am trying to explain spelling and grammar rules.

Sunday, February 6, 2011

Music appreciation: All About Jazz Unit Study





One of our favourite CDs to listen to is Jazz for Kids which has an eclectic selection of quirky jazz songs sung by some legendary singers like Ella Fitzgerald (Old Macdonald, The Muffin Man), Slim Gaillard (Potato Chips), Louis Jordan (Ain't Nobody Here But Us Chickens) and of course, Louis Armstrong singing the beautiful "It's A Wonderful World". 


When my daughter recently declared that jazz was her favourite style of music - I thought that I should give her a real taste of what jazz was all about. And being a homeschooler - how could I resist turning it into an educational opportunity?

Below are the links for the unit study and lapbook pieces that I created for our studies. 

Origins of Jazz:

We started off with an introduction to jazz and how it is sometimes termed America’s classical music, We looked up this useful timeline from PBS and discussed how the origins of jazz were rooted in the spirituals and work songs of the African slaves in the plantations. We listened to a few beautiful spirituals sung by Mahala Jackson on Youtube.




                                         

Musical Elements in Jazz:

The next week we focused on two elements that are key to jazz – syncopation and improvisation. We used information from this site to help explain syncopation. 


This site provides a helpful explanation jazz improvisation and as always, we discovered some wonderful videos of Billy Taylor explaining and demonstrating improvisation.








You can download the A4 sized poster definitions of Syncopation and Improvisation that I created for us to put on our walls by clicking on the pictures below.



Early Jazz – Ragtime and Blues
Following that, we talked about how Ragtime was the earliest form of jazz. It is hard not to love this infectious fun musical style. We listened to music by two famous ragtime artistes – Scott Joplin (who wrote The Entertainer) and Tom Turpin.




We also talked briefly about blues music which finds its roots in jazz as well and listened to Bessie Smith, who was called the "Empress of the Blues" and one of the most popular female blues singers in the 1920s and 30s.




New Orleans or Dixieland Jazz
Dixieland jazz, Hot jazz or New Orleans jazz - it is probably a genre that many of us are familiar with. It was a combination of music from the marching bands and funeral parades of New Orleans and ragtime and blues - often played in small bands with brass, woodwind and rhythm instruments. Some famous New Orleans artists included the inimitable Louis Armstrong and Jelly Roll Morton.





We also happened to have this copy of Dixieland Hymns on our shelves which was great to listen to. It is available as an MP3 download from Amazon.com.




Books to read: If I Only Had a Horn: Young Louis Armstrong


Getting to know your Jazz Instruments
I decided to change it up the next week because I bought an excellentpicture book that I couldn't wait to share with the kids.



It is a terrific way to introduce the kids to the different kinds of instruments used in jazz bands and it comes with a fantastic CD. It is a fictional account of a night of jazz played by some of the greats like Thelonious Monk, Ella Fitzgerald, Miles Davis, Charlie Parker, Miles Davis and Max Roach. It is beautifully illustrated and the writing is rhythmic and evocative.

Thelonious Monk invents on the keys, 
Does his own thing, not aiming to please. 
Discordant chords now blend to be 
Pure genius, joined in harmony. 

The CD gives you a taste of each instrument from the drums, piano and different saxaphones - exploring tempos and volume.

I created a lapbook piece on jazz musical instruments and we learnt about the instruments in greater detail as we put it together as a little booklet. Click on the picture to download the PDF document.




We also went onto YouTube and just found examples of the different instruments being played (I do love the internet for resources).


YouTube Examples of:
jazz guitar
jazz drums
jazz saxaphone
jazz trombone
jazz trumpet
jazz piano

Swing Jazz
Swing jazz developed and gained huge popularity from the time of the Great Depression and all through the 1940s. It was characterised by large bands with music you could dance to. Famous swing artistes included Duke Ellington, Benny Goodman and Count Basie. The videos below are of Duke Ellington and his band and the second is a swing dance scene.





Books to read:




Bebop/Scat and Ella Fitzgerald
Bebop developed in the 1940s and in a sense, it arose from a desire for greater creative freedom outside of the big swing bands. It was characterised by more complex melodies and chord progressions We read this lovely picture book about Ella Fitzgerald: A Tale Of A Vocal Virtuoso and we learnt a lot about scatting and Bebop from it.



We watched lots of videos of Ella Fitzgerald singing and were so taken away by her style, grace and talent.She is undeniably wonderful.





Trailblazers in the area of Bebop were Dizzy Gillespie and Charlie Parker.





Books to read: 




Cool Jazz and Hard Bop

The 1950s was as time of experimentation and the result was the emergence of a number of different styles.

Cool jazz was smoother, relaxed and slower in tempo. Miles Davis is a prime example.


Hard Bop was an extension of Bebop but looser, simpler and more soulful. Art Blakely and Horace Silver were pioneers of Hard Bop.



Latin Jazz and Fusion

As its name suggests - Latin jazz was influenced by latin rhythms and melodies.



Fusion combine jazz improvisation and rock music. Herbie Hancock and Chick Corea are famous artists.




That was the end of our tour of jazz!


Some other helpful resources:

My lapbook pieces

Jazz in America - I found this belatedly but it has lesson plans and all sorts of resources if you want to take your learning further.


Scholastic's History of Jazz - lesson plans and audio clips


PBS' Companion site to Ken Burn's film "Jazz" - You can sees parts of the film on YouTube here.


Classics for Kids - Jazz

More books about Jazz:




Monday, November 29, 2010

Poetry kids love: T.S. Eliot's Old Possum's Book of Practical Cats



I was looking for some fun poems to enjoy with the girls when I was suddenly thrown back to my childhood and the memory of my time in the car, with my mum, singing songs from “Cats: The Musical”  by Andrew Lloyd Webber. We had watched the musical together in the West End on a trip to London and we both loved the music. I learnt all the lyrics to the songs and was surprised to  find out later that the lyrics were actually adapted from poems by T.S. Eliot. These poems had been written to amuse his grandchildren and they certainly entertained. I remember devouring the poems as a child and I suspected my girls would get the same amount of enjoyment from them too. The poems are hard to resist and they beg to be read out loud and acted out and that is exactly what happened as the girls read them.


We started off by reading a selection of poems like Macavity: The Mystery Cat and The Naming Of the Cats, which I had printed off the internet and then, just for fun, I showed them clips from musical. It whetted their appetite and they were eager to read the other poems as well as watch more clips from the musical. Before long, I caught them practising their own rendition of The Old Gumbie Cat - not only had they had memorised it but they had also choreographed a whole song and dance routine and were practising it with such glee. :)


Needless to say - it was great fun and I always love it when they get this enthusiastic about something they are learning!

I purchased a lovely audio version of the poems beautifully read by Sir John Gielgud and Irene Worth.
















These are some of the videos we watched from Cats: The musical. It definitely served a purpose in increasing their interest in the poems.






My daughter was so into it, she even made a glog about it. Making the glog really appealed to her artistic sensibilities and it was also a valuable exercise in learning to research and distil the information needed to fit the limited format. She really enjoyed the process and did a great job. 


Sunday, October 24, 2010

Nature Studies: Is this cheating?


When I first started thinking about homeschooling, I was drawn to many aspects of the Charlotte Mason philosophy and approach and I knew that I definitely wanted to incorporate into our lives regular opportunities for art and poetry appreciation and also plenty of nature studies. 

However, when it came to nature studies and getting out and about - we just didn't. The reality being that the humidity and heat of living a few degrees north of the equator, is simply is too oppressive for us and it drives us indoors. On our last visit to the local tropical nature reserve, we ended up with huge welts of mosquito bites (despite copious amounts of insect repellent being applied) and drenched in sticky sweat. Not only that, after scaling the heights to the top of the hill, my toddler decided he had had enough and I had to carry him all the way down. It will probably be a while before we brave that again!

How I long for lovely balmy summer days, crisp cool autumns, delicious wintry weather and glorious spring days - but alas, in the tropics, that is only a dream. So, those long leisurely walks in the pleasant sun-dappled parks and forests will have to wait. The rainforest is a fascinating place to explore but how does a heat and perspiration averse family find a way to spend time enjoying more of God's beautiful creation? 

Well, first I decided that I would start small and try to incorporate nature studies in small and creative ways. Plan A was to get the girls to explore the fauna and flora in our local vicinity. I told to them to find and photograph any beasties they could within our small plot of garden and the landscaped gardens of the condominium we live in.  I equipped the girls with a camera and tasked them with the challenge of finding creatures big and small and photographing them if they could.They had fun and it was pretty successful in getting the kids out.These are some of the critters they caught on film.


Unfortunately, we found it difficult to identify the particular species of insect or animal and we got frustrated and lost heart a little. Also, as the weather got hotter and more oppressive, it became harder to persuade my girls to head out (they really don't like the heat). So, it seemed like our nature studies were doomed to be neglected.

I then hit upon an idea - nature studies don't always have to  be outside, do they? It is, after all, the study of nature and I can bring it into the home. So I planned a study on fruit, something easy and doable, an achievable goal we could build on. I would assign half an hour each week to the study of a particular fruit. 


The first week the girls looked at, sketched, and cut open a Papaya. We then went online to look at Papaya trees and I prepared a little note page on papayas which they read and stuck into their nature journals. They enjoyed it, stayed cool and happy - so I'll count it as a success.

The next week was followed by a study of a starfruit. 



It seems to be working well and I plan to carry on for awhile and spend time observing other tropical, local fruit like the Rambutan and Mangosteen.




It is not quite the getting out into the fresh air and observing nature in its natural surroundings (hence the cheating?) but I think it still counts as an opportunity for my children to observe and appreciate the natural world. What I have noticed is that the children are paying attention to their surroundings more, and they'll stop to watch a bird in the tree pecking away at the bark or a grasshopper perched on our window sill, which is lovely.

And who knows, we might still get out that door and brave the heat for another foray into nature in the not too distant future..  

LinkWithin

Related Posts with Thumbnails